SEOUL SWEET SEOUL!
The definitive girl’s guide to living, discovering, and enjoying South Korea
By Hana Yoo and Elizabeth Shim
Small Planet Publishing

Call me crazy, but I keep hearing little voices that are nudging me to declare 2012 as the year to visit, discover, and frolic in the land of Korea. Perhaps even live there for a year or two, and really get to the bottom of a bottomless intrigue.

Sure, things are a little shaky up North. And everyone’s a tad bit nervous about a 29-year-old, Swiss boarding school-trained neophyte handling the last Stalinist regime standing. I mean, would you hire this guy to run a country? I wouldn’t.

Luckily for us, South Korea is everything North Korea is not. The keywords here would be leisure and entertainment. Many travelers from neighboring China and Japan are now coming in droves to do their shopping, hang out in the cafés of Gangnam, and taste some of that ferociously delicious Korean food. Kimchi, anyone?

Other, rather unexpected events have also taken place that have put Korea squarely on the map, kind of like the way you can see places like London, or New York not just geographically but also symbolically.

First — and let’s just get this out of the way — there’s the K-pop phenomenon. I’m thinking of the scores of websites dedicated to Korean entertainment news, especially this lovely one based in Singapore — designed to quench the unquenchable thirst of K-pop fans for more pictures, updates, and music videos by some of Korea’s cutest, eye-catching, what-have-you stars. This stuff is addictive, I’m telling you, so don’t get sucked in. But if you do, you may find yourself actually traveling to Korea.

And I’m here to tell you that’s not a bad idea. Especially if you are young, Korea seems to hold a few promises for the smart, adaptable person who’s curious to learn more about Asia.

So if you’re headed to Korea, check out Seoul Sweet Seoul! There’s lots of information about shopping, spas, and travel, in a detailed language you won’t find in tourist brochures, or the usual suspects published by Lonely Planet or Moon Guides. It also helps it was written by myself and Hana Yoo, and we’ve lived in Korea for a combined six years.

There’s also information here about expat living and finding a job, but with none of the usual ranting about locals that you’ll find on forums littered with trolls who suffer from some arcane inability to adjust.

The world’s getting smaller. And we’ve all got to make an effort to understand each other better.

And in 2012, as this piece on CNNGo suggests, what better place to head for than the Land of the Morning Calm, in a year when the Mayan Calendar ends?

Mark my words, dear readers. All roads lead to Seoul. So buy the book already.

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Graphic Origami | Kenzo Spring 2012

by Liz on November 29, 2011

in Fashion


I’ve been trying to figure out what it is about Takada Kenzo that I’m so drawn to, and I think what it really comes down to is the designer’s legacy of color, vibrancy, and fabric expressions of a love for life. The sway of a Kenzo skirt or a floral scarf flapping in the wind is certainly the material substance of good advertising, or a glimmer of a reason to get up in the morning, but if there are fashion editors out there who try to justify their work by conveniently suggesting fashion designers are the harbingers of things to come, or a thermostat to the reckless mood of the times, then the House of Kenzo should give them a reason to think again. For Spring 2012, Humberto Leon and Carol Lim paid tribute to Kenzo’s legacy with a no holds barred display of color, cut and proportion. Theirs is a fashion universe of orderly cheerfulness, an interesting concept to play around with in a world where we must constantly worry about what tomorrow may bring.

Fashion, like any other creation, seems to tell a story about a designer, or in the case of the Spring 2012 collection, his legacy. For decades Kenzo has been a Japanese designer shrouded in the whirlwind that is Paris couture, but for his fans he always stood out with his ever-so-subtle expressions of Japanese aesthetics. For myself, it’s something of a guilty pleasure to find a hint or two of Eastern influence in the mist, like the accessories shown here, re-envisioned for a fashion crowd with a discerning eye. The House of Kenzo is a rest stop for the weary, perhaps even the fashion-weary. And I wonder if it’s because this collection is a nod to influences in the designer’s childhood, when he read through his sisters’ magazines in Japan. It’s an outlet of happy escapism that looks backward rather than forward at one designer’s transcultural legacy.

A reminder that sometimes even nostalgia is enough to move us forward.

All photos courtesy of Vogue.com

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Do Ho Suh | Lehmann Maupin Gallery

by Liz on October 30, 2011

in Art & Design


Many Americans think of Koreans in the United States as diligent and capable newcomers who adjust quickly to their host country. Different, yes, but in a nation of differences and diversity, Koreans are just another stripe of color in an ever trendy mosaic. Do they have reservations about the new culture they must adapt to? Are they experiencing difficulties? No one knows, because no one ever bothers to ask them. No one, except for perhaps Korean artist Do Ho Suh, who resurfaced to transform elements of the autobiographical into both the artistic and the architectural at Lehmann Maupin Gallery.

As you can see from the photograph above, Suh created replicas of two buildings that have become fused thanks to a collison of two worlds, which took place when the artist first arrived in the United States in 1991 to attend the Rhode Island School of Design. The prewar brownstone replica represents the home he adopted in Providence, Rhode Island, and the hanok on the right depicts his childhood home in Korea with painstaking accuracy. According to the art narrative, his Korean home was lifted up by a tornado, transporting Suh to a strange but soon-to-be-familiar place called America. And the results are a vision to behold.

Details of hanok in Fallen Star 1/5, 2008-2011

Floor by floor of Fallen Star 1/5, 2008-2011

The tornado-driven crash landing has devastated the interior of the brownstone across all immediately adjacent floors. The damage is severe, even irreparable, but also void of catastrophic emotion. The rooms appear to be inhabited, and yet there are no people. All we have is silence, but a silence so indifferent it’s practically an ode to the ones who know that when a tree falls in a forest and no one is around to hear it, it really does not make a sound.

Suh is a remarkable artist whose intimate knowledge of cultural displacement has in many ways inspired my desire to become a better interpreter of transnational Asian culture and experience. Suh’s collision is a serious crisis, but I know all too well the greater crisis is our defiant disregard for our feelings of discontinuity and change. It’s a story that’s defined entire swathes of people but remain suppressed and unverbalized, until someone like Suh takes a stand and says, “You. This is you.” The fact that Suh is Korean and has intimate knowledge of Korean architecture made this exhibit feel all the more personal.

As for his art, I’ll let the visual outcome speak for itself.

Details of a kitchen

The attention to detail, such as in this bedroom, was simply mind-boggling.

Rear window

Visitors standing by Fallen Star 1/5, 2008-2011. Certainly gives you a sense of scale!

The parachute attached to Suh's childhood home. Definitely has echoes of his previous works.

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Chinatown’s culinary democracy

by Liz on October 11, 2011

in Food

    Fresh rambutans on Canal Street

    UPDATE: The Itinerary I mention below is now available on UnAnchor.com! Check it our here.

    Recently in New York there’s been an ongoing movement to nosh on ethnic foods, edible delights that shouldn’t just taste good but also be as authentic as possible. Almost every other week we hear of an insider’s tour of Jackson Heights, or a Flushing Food Tour that will leave all stomachs happily full and sated. The best part of eating ethnic, and particularly Chinese, is that it is very kind on the wallet, which given the economic mood of today, is probably the biggest draw of a dumpling that’s Made In Flushing or a red bean bun at a Chinatown bakery.

    Financial considerations aside, I would gladly eat at some of my favorite Chinatown restaurants any day. It’s just too good to pass up, which is why I’m also working on an itinerary that will help visitors eat like a local and really enjoy the Asian quarters of New York.

    The foods eaten in the Chinatowns here represent something of a culinary democracy. Every color, shape and size is completely represented, and no ingredient that’s natural or good is spared.

    So I’ve been pounding the pavement looking for wonderful food and gathering information. What I’ve learned along the way about Asian food, and Chinese cuisine in particular, has been a revelation. The foods eaten in the Chinatowns here represent something of a culinary democracy. Every color, shape and size is completely represented, and no ingredient that’s natural or good is spared. And while it’s something of a truism that actual, political democracy is a faraway reality in China and will remain a bone of contention, I can’t help but turn my attention to a different kind of democracy, one that’s been around in Asian culture for thousands of years, and revolves around food, life’s most important necessity. The best part of Chinese culinary democracy is not just all-out representation of textures and colors, either. It is for me, as it is for others, food that’s economically accessible to almost anyone with a dollar to spare.

    And that to me sounds like true democracy: simple, beautiful, delicious and available to all.

    Bánh cuốn at Thái Son (89 Baxter Street)

    Dumplings with chili oil at White Bear (135-02 Roosevelt Ave, Flushing)

    Fried chicken drumsticks at LIRR Food Stall, Flushing

    Almond cookie ice cream at Chinatown Ice Cream Factory (65 Bayard St)

    Ten Ren Tea (135-18 Roosevelt Ave, Flushing)

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When I first started this blog, I must have been tremendously naive, or at least under the impression that Asian-y events in New York were manageable, at least from a writer’s perspective. Of course, now I know better.

New York is positively Asiafied. It’s actually a challenge to curate great places and people, and reduce a month’s worth of events to one page. It’s also bewildering that some really terrific stuff gets totally ignored by mainstream media outlets! As usual, I’ve taken an avalanche of information for October and reduced it to reasonable a number, all in the vague hope it’s of some service to my readers.

Enjoy!

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China Punk | James Bollen

September 22, 2011

James Bollen is a Shanghai-based British photographer whose work was shown this year at SH Contemporary, one of Shanghai’s most talked about art fairs. He recently discovered my blog, and I thank him for this, because if he didn’t, I may never have had the privilege of seeing his portfolio online. Bollen, while technically not [...]

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Chuseok time is japchae time

September 10, 2011

I’ve been Korean for as long as I can remember, and for as long as I can remember I have never been a big fan of japchae, a lightly stir-fried dish of glass noodles embellished with various vegetables and proteins. Which, to me, is ironic, because I love stir-fries and noodles, and japchae has both [...]

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Earthly quarrels

September 5, 2011

Look on a world map, and you’ll notice China is a vast country. Positively massive. I realize that now, but most of the time I don’t give China’s portly silhouette much thought. I just assume those have been her borders for some time, occasionally contested by an uprising in Tibet or tumult in Xinjiang. But [...]

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Asiafied NY: Issue 3

September 1, 2011

Well New York, this September marks the 10th anniversary of 9/11. A month of rememberance as we officially settle into fall, a season that’s also our fair city’s best, hurricanes, earthquakes, and financial fallouts not withstanding. But rain or shine, there will always be things to do, foods to try, and art to remember. Always.

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Prabal Gurung FW 2011

August 28, 2011

It’s interesting to think what scientists have proven to be true — that viewing a beautiful work of art can affect the brain as much as being in love. Apparently art triggers a surge of dopamine, a feel-good neurotransmitter, that results in feelings of pleasure. Perhaps even happiness. If that’s the case, I really should [...]

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