Korean film

Kings of the Hill

by Liz on May 17, 2012

in Books & Entertainment

The Front Line/Go Ji Seon (2011)
Directed by Jang Hun
Cast: Shin Ha-gyun, Go Soo, Ryoo Seung-soo

Hills are tricky places, but they’re also massively symbolic. The people who scale the hill are worthy of exceptional merit, perhaps even of biblical proportions. But hills embattled by brotherly hatred in one of the most bloody conflicts of the 20th century are, according to the South Korean film The Front Line, neither exceptional nor meritorious. They are a curse.

The Korean War, of course, is a vintage war fought during the Truman-Eisenhower transition years, but in Korea its outcome has lingered long after the signing of the Armistice in 1953. Which may be why South Korean filmmakers by and large think less of the heroism of that War, and more of its destructive outcomes, and what it does to otherwise good people.

There are no John Waynes in The Front Line, nor even a Captain John Miller, the Tom Hanks character in Saving Private Ryan. (That movie, by the way, probably has had more influence on South Korean war films than the rest of Hollywood combined). In many Korean films about this war, I’ve noticed a tendency to portray the soldiers as victims of a greater force, rather than masters of their destiny. The Front Line is no exception. We see good people trapped in a nexus of indifferent manipulation: higher-ups, Americans deciding the fate of Korea at Panmunjom or conducting aerial bombings from the safety of their aircrafts, even propaganda blaring from megaphones. As a viewer, you are treated to the spectacle of tragic men hurtling towards demise, because of a shoddy, fallible system that has failed them. It’s really not their fault they might die tomorrow, but there’s also nothing you or I can do.

That said, I still want to recommend this film for those of you either taking a hiatus from Korean movie-watching, or unfamiliar with Korean history. That’s because I think the movie has something interesting to say about fate and individual irrelevance. At our core, we may be intrinsically good, but we also live in a world shockingly indifferent to who we are as people: warm-blooded, emotional creatures who want to reach out to each other — even across enemy lines — an unrealistic expectation that can and does culminate into a bullet in the chest.

But if a bullet in the chest — or even heartbreak — is what it takes to salvage a bit of human amid the devastation of war, so be it. At least that’s the message I kept hearing between the script lines. The most memorable scenes took place during the intermittent breaks between the violent skirmishes on the hill, in a hideaway nook where the North and South Korean soldiers exchange gifts of cigarettes, alcohol, and even letters to their relatives, a custom that has developed as the hill has changed hands more than 30 times in the course of an unrelenting civil war. After all, there’s a fundamental alikeness to us, even if we must stare down at each other from the barrels of our guns. Because we all know how to laugh, sing, and long for home, but mostly we want this war to end. If only we knew how to end it.

The Front Line was selected as South Korea’s submission to the 84th Academy Awards for Best Foreign Language Film, but did not make the shortlist, which is a shame because it definitely could have been a contender. But no matter. You can still watch it here.


(From L to R, top to bottom:) Pearl Buck, a Karakuri puppet, Japanese Izakaya food in Beijing, Singaporean designer Peir Wu's FW 2011 Collection, Korean thriller 'Poongsan', and the cast of Korean musical '200-pound Beauty''

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